Free Font Library

Computer Modern ⬇ ➡ Specimen

Styles Italic Roman Bold BoldItalic
Designer Various
Type Serif
License SIL Open Font License

Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunti

Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunrm

Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunbx

Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunbi

Autopia ⬇ ➡ Specimen

Styles Bold Bold Italic Italic Regular
Designer Antoine Gelgon (Luuse)
Type Serif
License SIL Open Font License

Auto Trace autopia-bold

Auto Trace autopia-bold-italic

Auto Trace autopia-italic

Auto Trace autopia-regular

Avara ⬇ ➡ Specimen

Styles Italic Bold Italic Bold Bold Black
Designers Raphaël Bastide
Wei Huang
Lucas Le Bihan
Walid Bouchouchi
Jérémy Landes
Type Serif
License SIL Open Font License
Tag curveless

Curves sucks. avara-bolditalic

Curves sucks. avara-bold

Curves sucks. avara-black

Bienchen SAS ⬇ ➡ Specimen

Styles Regular Cursive
Designer Peter Wiegel
Type Fantasy
License GPL- General Public License AND OFL-Open Font License
Tag cursive

* Butterfly bienchen-b

* Butterfly bienchen-a

Candal ⬇ ➡ Specimen

Style Regular
Designer vernon adams
Type Serif
License SIL Open Font License

Se candal-regular

Career ⬇ ➡ Specimen

Style Medium
Designer Antoine Gelgon (Luuse)
Type Serif
License SIL Open Font License
Tag revival

Deadline career

Caudex ⬇ ➡ Specimen

Styles Regular Italic Bold Italic Bold
Designer Hjort Nidudsson
Type Serif
License SIL Open Font License

Medieval caudex-regular

Medieval caudex-italic

Medieval caudex-bolditalic

Medieval caudex-bold

Compagnon ⬇ ➡ Specimen

Styles Regular Roman Regular Medium Regular Light Italic Regular Light Regular Bold
Designers Juliette Duhe
Lea Pradine
Types Serif
Monospace
Fantasy
License SIL Open Font License
Tag typewriter

Meet, Make, Master, Modify, compagnon-roman

Meet, Make, Master, Modify, compagnon-medium

Meet, Make, Master, Modify, compagnon-lightitalic

Meet, Make, Master, Modify, compagnon-light

Meet, Make, Master, Modify, compagnon-bold

Cutive Mono ⬇ ➡ Specimen

Style Regular
Designer Vernon Adams
Types Serif
Monospace
License SIL Open Font License 1.1.

Poussière de lune cutivemono-regular

DejaVu-2.37 ⬇ ➡ Specimen

Styles Math Regular Sans Book Sans Bold Sans Bold Oblique Sans Book Condensed Sans Bold Condensed Sans Condensed Bold Oblique Sans Condensed Oblique Sans ExtraLight Sans Mono Book Sans Mono Bold Sans Mono Bold Oblique Sans Mono Oblique Sans Oblique Serif Book Serif Bold Serif Bold Italic Serif Book Condensed Serif Condensed Bold Serif Condensed Bold Italic
Designer Various
Types Serif
Sans Serif
Monospace
License Bitstream Vera Fonts Copyright
Tag superFamily

Ah dejavumathtexgyre

Ah dejavusans

Ah dejavusans-bold

Ah dejavusans-boldoblique

Ah dejavusanscondensed

Ah dejavusanscondensed-bold

Ah dejavusanscondensed-boldoblique

Ah dejavusanscondensed-oblique

Ah dejavusans-extralight

Ah dejavusansmono

Ah dejavusansmono-bold

Ah dejavusansmono-boldoblique

Ah dejavusansmono-oblique

Ah dejavusans-oblique

Ah dejavuserif

Ah dejavuserif-bold

Ah dejavuserif-bolditalic

Ah dejavuserifcondensed

Ah dejavuserifcondensed-bold

Ah dejavuserifcondensed-bolditalic

DIN 1451 alt ⬇ ➡ Specimen

Style Regular
Designer Peter Wiegel
Type Sans Serif
License GPL- General Public License
Tag revival

Die in DIN 1451 genormte Schrift ist in Deutschland die Standardschrift für alles, was mit Verkehr zu tun hat - na ja, dem ehelichen mal ausgenommen :-) - und wird ähnlich auch in Österreich und sogar in Griechenland (dort jedoch natürlich mit griechischen Buchstaben) verwendet. din1451alt

EB Garamond ⬇ ➡ Specimen

Styles Regular Italic
Designer Georg Duffner
Type Serif
License SIL Open Font License

gA ebgaramond12-regular

gA ebgaramond12-italic

GapSans ⬇ ➡ Specimen

Styles Regular Black Bold
Designers Alexandre Liziard
Étienne Ozeray (Luuse)
Type Sans Serif
License SIL Open Font Library 1.1

Karl Marx gapsans

Karl Marx gapsansblack

Karl Marx gapsansbold

Hanken Round ⬇ ➡ Specimen

Styles Light Book
Designer Alfredo Marco Pradil
Type Sans Serif
License SIL Open Font License
Tag Rounded

Jane Pat Tom Joe hanken-light

Jane Pat Tom Joe hanken-book

Happy Times at the IKOB ⬇ ➡ Specimen

Styles Regular Italic Regular
Designer Lucas Le Bihan
Type Serif
License Open Font License

Even when new, Times New Roman had its critics. In his typographic memoir, A Tally of Types, Morison good-naturedly imagined what William Morris (responsible for the opening illustration in page layout) might have said about it: “As a new face it should, by the grace of God and the art of man, have been broad and open, generous and ample; instead, by the vice of Mammon and the misery of the machine, it is bigoted and narrow, mean and puritan.” happy-times-at-the-ikobitalic-webfont

Even when new, Times New Roman had its critics. In his typographic memoir, A Tally of Types, Morison good-naturedly imagined what William Morris (responsible for the opening illustration in page layout) might have said about it: “As a new face it should, by the grace of God and the art of man, have been broad and open, generous and ample; instead, by the vice of Mammon and the misery of the machine, it is bigoted and narrow, mean and puritan.” happy-times-at-the-ikob-webfont

help-me ⬇ ➡ Specimen

Style
Designer
Type Serif

Hello world hershey-noailles-help-me

herbier ⬇ ➡ Specimen

Style Noailles-herbier
Designer Luuse
Types Serif
Fantasy
License SIL Open Font License

56789a hershey-noailles-herbier

Hershey Noailles ⬇ ➡ Specimen

Styles Light Regular Italic Regular Regular Bold Regular Medium Bold Regular Light
Designer Luuse
Types Serif
Sans Serif
Monospace
Fantasy
License SIL Open Font License

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-astrology05

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-cursive

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-futural

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-futuram

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-symbolic

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-timesb

The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-timesr

HK Grotesk ⬇ ➡ Specimen

Styles Bold Bold Italic Bold Bold Legacy Bold Italic Bold Legacy Italic Italic Italic Legacy Italic Regular Light Regular Light Italic Regular Light Legacy Regular Light Legacy Italic Regular Medium Regular Medium Italic Regular Medium Legacy Regular Medium Legacy Italic Regular Regular Regular Legacy Regular SemiBold Regular SemiBold Italic Regular SemiBold Legacy Regular SemiBold Legacy Italic
Designer Alfredo Marco Pradil
Type Serif
License SIL Open Font License, Version 1.1

chuggalugged hkgrotesk-bold

chuggalugged hkgrotesk-bolditalic

chuggalugged hkgrotesk-boldlegacy

chuggalugged hkgrotesk-boldlegacyitalic

chuggalugged hkgrotesk-italic

chuggalugged hkgrotesk-legacyitalic

chuggalugged hkgrotesk-light

chuggalugged hkgrotesk-lightitalic

chuggalugged hkgrotesk-lightlegacy

chuggalugged hkgrotesk-lightlegacyitalic

chuggalugged hkgrotesk-medium

chuggalugged hkgrotesk-mediumitalic

chuggalugged hkgrotesk-mediumlegacy

chuggalugged hkgrotesk-mediumlegacyitalic

chuggalugged hkgrotesk-regular

chuggalugged hkgrotesk-regularlegacy

chuggalugged hkgrotesk-semibold

chuggalugged hkgrotesk-semibolditalic

chuggalugged hkgrotesk-semiboldlegacy

chuggalugged hkgrotesk-semiboldlegacyitalic

iAwriter ⬇ ➡ Specimen

Styles Regular Bold Italic Bold Regular Italic
Designer Mike Abbink
Types Serif
Sans Serif
License SIL Open Font License

Writer iawriterduospace-bold

Writer iawriterduospace-bolditalic

Writer iawriterduospace-regular

Writer iawriterduospace-regularitalic

Kulim Park ⬇ ➡ Specimen

Styles Bold Bold Italic Regular ExtraLight Italic ExtraLight Italic Italic Regular Light Italic Light Italic Regular Regular SemiBold Italic SemiBold Italic
Designer Noponies / Dale Sattler
Type Sans Serif
License This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL
Tag humanist

Humanist kulimpark-bold

Humanist kulimpark-bolditalic

Humanist kulimpark-extralight

Humanist kulimpark-extralightitalic

Humanist kulimpark-italic

Humanist kulimpark-light

Humanist kulimpark-lightitalic

Humanist kulimpark-regular

Humanist kulimpark-semibold

Humanist kulimpark-semibolditalic

Liberation Sans ⬇ ➡ Specimen

Styles Bold Italic Bold Italic Regular
Designer Steve Matteson
Type Sans Serif
License SIL Open Font License

Metrics Matches liberationsans-bolditalic

Metrics Matches liberationsans-bold

Metrics Matches liberationsans-italic

Metrics Matches liberationsans-regular

Libre Baskerville ⬇ ➡ Specimen

Styles Regular Italic
Designer Pablo Impallari, Rodrigo Fuenzalida
Type Serif
License Open Font License
Tag revival

The Hound of the Baskervilles librebaskerville-regular

The Hound of the Baskervilles librebaskerville-regularitalic

Linux Libertine ⬇ ➡ Specimen

Styles Semibold Italic Semibold Regular Italic Bold Italic Bold Regular Mono Initials Display Regular Biolinum regular Italic Biolinum Bold Biolinum Regular Biolinum Keyboard
Designer Philipp H. Poll
Type Serif
License GNU GPL

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerziah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerzah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertineriah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerbiah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerbah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinemah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinei

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinedrah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumriah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumrbah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumrah

Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumkah

Lunchtype ⬇ ➡ Specimen

Styles Condensed Regular Condensed Medium Condensed Light Italic Medium Italic Light Italic Regular Medium Light Regular Expanded Medium Expanded light Expanded
Designer Steppot
Type Sans Serif
License SIL Open Font License

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-regularcondensed

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-medium-condensed

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-lightcondensed

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-regular-italic

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-medium-italic

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-light-italic

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-regular

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-medium

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-light

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-regular-expanded-webfont

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-medium-expanded-webfont

The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-light-expanded-webfont

Manifont Grotesk ⬇ ➡ Specimen

Styles Book Italic Regular Dot Book Dot Regular Book Bold italic Bold Italic Bold
Designers Alexandre Liziard
Étienne Ozeray (Luuse)
Type Sans Serif
License SIL Open Font License
Tag curveless

Mf manifontgroteskbookitalic

Mf manifontgroteskbookdot

Mf manifontgroteskbook

Mf manifontgroteskbolditalic

Mf manifontgroteskbold

Meta Old French ⬇ ➡ Specimen

Style Regular
Designer Luuse
Type Serif
License SIL Open Font License
Tag Metafont

Forking forks meta-old-french

Meyrin ⬇ ➡ Specimen

Style Regular
Designer Tom Leaman, Brian Suda
Types Sans Serif
Monospace
Fantasy
License SIL Open Font License

3615 Meyrin meyrin

Molle ⬇ ➡ Specimen

Style Regular
Designer Elena Albertoni
Type Fantasy
License SIL Open Font License, Version 1.1.

Heavy Italian molle-regular

Roboto ⬇ ➡ Specimen

Style Regular
Designer Christian Robertson
Type Sans Serif
License Apache License, Version 2.0

Hallo Freunde! roboto-regular

Not Courier Sans ⬇ ➡ Specimen

Styles Regular Bold
Designer Open Source Publishing
Types Sans Serif
Monospace
License SIL Open Font License

            This is the font used here.
            notcouriersans
          

            This is the font used here.
            notcouriersans-bold
          

OCR-PBI ⬇ ➡ Specimen

Styles pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique Pbi-pen_x1_y1
Designer Antoine Gelgon (Luuse)
Types Sans Serif
Monospace
License SIL Open Font License (OFL)

Hello world ocr-pbi-boldv1

Hello world ocr-pbi-boldv2

Hello world ocr-pbi-boldv3

Hello world ocr-pbi-circle

Hello world ocr-pbi-condv1

Hello world ocr-pbi-squarev2

Hello world ocr-pbi-v2

Hello world ocr-pbi-penx1y1

Old Round ⬇ ➡ Specimen

Styles Regular nonselect Regular hover Regular
Designer Luuse
Type Serif
License SIL Open Font License

She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-nonselect

She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-hover

She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-1-1

Open Sans ⬇ ➡ Specimen

Styles Italic ExtraBold Italic Regular ExtraBold Bold Italic Bold Italic SemiBold Italic Regular SemiBold Italic Regular Italic Light Italic Regular Light
Designer Steve Matteson
Type Sans Serif
License Licensed under the Apache License, Version 2.0

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-extrabolditalic

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-extrabold

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-bolditalic

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-bold

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-semibolditalic

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-semibold

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-italic

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-regular

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-lightitalic

Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-light

Oswald ⬇ ➡ Specimen

Styles Regular SemiBold Regular Regular Medium Light Regular Heavy Regular ExtraLight Bold
Designer Vernon Adams
Type Sans Serif
License SIL Open Font License 1.1.

Lee Harvey Oswald oswald-semibold

Lee Harvey Oswald oswald-regular

Lee Harvey Oswald oswald-medium

Lee Harvey Oswald oswald-light

Lee Harvey Oswald oswaldheavy-regular

Lee Harvey Oswald oswald-extralight

Lee Harvey Oswald oswald-bold

ParaRubber ⬇ ➡ Specimen

Style Medium
Designer Léonard Mabille (Luuse)
Type Serif
License SIL Open Font License
Tag revival

Gomme en caoutchouc pararubber-medium

Pecita ⬇ ➡ Specimen

Style Book
Designer Philippe Cochy
Type Fantasy
License SIL Open Font License

Pecita est une police de caractères imitant l’écriture manuscrite. Elle est codée en Unicode avec l’intégralité des glyphes latins usités dans les langues européennes et panafricaines, le grec, le cyrillique, les katakanas, l’alphabet phonétique, les opérateurs mathématiques et beaucoup de symboles. pecita

Playfair Display ⬇ ➡ Specimen

Styles Black Italic SC Black SC Bold Italic SC Bold SC Italic SC Regular SC Black Italic Black Bold Italic Bold Italic Regular
Designer Claus Eggers Sørensen
Type Serif
License SIL Open Font License
Tag revival

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-blackitalic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-black

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-bolditalic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-bold

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-italic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-regular

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-blackitalic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-black

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-bolditalic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-bold

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-italic

Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-regular

Selectric ⬇ ➡ Specimen

Styles Roman Mono
Designer Léonard Mabille (Luuse)
Types Serif
Monospace
License SIL Open Font License
Tag typewriter

Shûzô Kuki «Týpe Bäll» selectricroman

Shûzô Kuki «Týpe Bäll» selectricmono

Source code Pro ⬇ ➡ Specimen

Styles Italic Semibold Italic Regular Semibold Regular Italic Medium Italic Regular Medium Italic Light Italic Regular Light Italic Italic ExtraLight Italic Regular ExtraLight Bold Italic Bold Italic Black Italic Regular Black
Designer Paul D. Hunt, Teo Tuominen
Types Sans Serif
Monospace
License SIL Open Font License

work well in user interface sourcecodepro-semiboldit

work well in user interface sourcecodepro-semibold

work well in user interface sourcecodepro-regular

work well in user interface sourcecodepro-mediumit

work well in user interface sourcecodepro-medium

work well in user interface sourcecodepro-lightit

work well in user interface sourcecodepro-light

work well in user interface sourcecodepro-it

work well in user interface sourcecodepro-extralightit

work well in user interface sourcecodepro-extralight

work well in user interface sourcecodepro-boldit

work well in user interface sourcecodepro-bold

work well in user interface sourcecodepro-blackit

work well in user interface sourcecodepro-black

Space Grotesk ⬇ ➡ Specimen

Styles Regular Bold Regular SemiBold Regular Light Regular Regular Medium
Designer Florian Karsten
Type Sans Serif
License SIL Open Font License, Version 1.1

Hello world spacegrotesk-bold

Hello world spacegrotesk-semibold

Hello world spacegrotesk-light

Hello world spacegrotesk-regular

Hello world spacegrotesk-medium

Standard ⬇ ➡ Specimen

Styles Regular Book Italic Book Italic Bold Bold Italic
Designer Bryce Wilner
Type Sans Serif
License SIL Open Font License

Standard as usable standard-book

Standard as usable standard-book-italic

Standard as usable standard-bold

Standard as usable standard-bold-italic

Syne ⬇ ➡ Specimen

Styles Regular Regular Mono Italic Regular Extra Bold
Designer Bonjour Monde
Types Serif
Sans Serif
Monospace
Fantasy
License SIL Open Font License

An unexpected journey syne-regular

An unexpected journey syne-mono

An unexpected journey syne-italic

An unexpected journey syne-extra

An unexpected journey syne-bold

Terminal grotesque ⬇ ➡ Specimen

Style Regular
Designer Raphaël Bastide
Type Sans Serif
License SIL Open Font License, Version 1.1

sudo apt-get install terminal-grotesque-webfont

Vampiro One ⬇ ➡ Specimen

Style Regular
Designer Riccardo De Franceschi
Type Fantasy
License SIL Open Font License, Version 1.1
Tag cursive

Le vampire est un type de revenant vampiroone-regular

Work Sans ⬇ ➡ Specimen

Styles Regular Black Italic Black Italic Bold Bold Italic Regular ExtraBold Italic ExtraBold Italic Regular ExtraLight Italic ExtraLight Italic Regular Hairline Italic italic vf Regular Light Italic Light Italic Regular Medium Italic Medium Italic Regular roman vf Regular SemiBold Italic SemiBold Italic Regular Thin
Designer Wei Huang
Type Sans Serif
License SIL Open Font License
Tag superFamily

Troll i Råskogen worksans-black

Troll i Råskogen worksans-blackitalic

Troll i Råskogen worksans-bold

Troll i Råskogen worksans-bolditalic

Troll i Råskogen worksans-extrabold

Troll i Råskogen worksans-extrabolditalic

Troll i Råskogen worksans-extralight

Troll i Råskogen worksans-extralightitalic

Troll i Råskogen worksans-hairline

Troll i Råskogen worksans-italic

Troll i Råskogen worksans-italic-vf

Troll i Råskogen worksans-light

Troll i Råskogen worksans-lightitalic

Troll i Råskogen worksans-medium

Troll i Råskogen worksans-mediumitalic

Troll i Råskogen worksans-regular

Troll i Råskogen worksans-roman-vf

Troll i Råskogen worksans-semibold

Troll i Råskogen worksans-semibolditalic

Troll i Råskogen worksans-thin

Credits